demorganadmin's blog

‘Air-Con, Gloves and Cabbage Leaves: A Look Behind the Paintings’

Volunteer, Megan Stuart, takes a trip to the De Morgan archives to see some more of Evelyn’s drawings

 

On 12th July, The Calouste Gulbenkian Museum in Lisbon, Portugal opens its exhibition 'The Rise of Islamic Art'. The De Morgan Foundation have lent two stunning, Islamic-inspired pieces to the exhibition and Curator, Sarah Hardy, tells us why...

 

 

Object of the Month

Gold and Charcoal sketch of grey paper for Gloria in Excelsis (1893) by Evelyn De Morgan

 

Two of Evelyn De Morgan's paintings were star pieces in the recent Watts Gallery exhibition. Dr Tessa Kilgarriff explains why their inclusion was so important to the show.

This month, Sublime Symmetry, our touring exhibition exploring William De Morgan's use of mathematics in his ceramic designs, opens at the Russell-Cotes Art Gallery in Bournemouth.

To celebrate, curator Sarah Hardy has selected one of her favourite pieces from the exhibition as June's Object of the Month.

With a generous donation from the Derek Hill Foundation, the De Morgan Foundation was recently able to conserve some wonderful De Morgan ceramics which will now enter our handling collection so they can be enjoyed close-up by our school groups and visitors.

Our conservator, Bouke De Vries, explains the complex process of conserving De Morgan ceramics.

 

On 2nd May 1919, Evelyn De Morgan passed away. Her funeral was held at Chelsea Old Church on 8th May 1919, before she was laid to rest with her husband William at Brookwood Cemetery in Woking.

Luna (1885) by Evelyn De Morgan

                            

 

This post will not be a properly art-historical exploration of Evelyn De Morgan’s The Sea Maidens, but rather a reading of it today, an image with contemporary resonances and dynamics.

 

This month, Louise Reasbeck who works at Cannon Hall, has taken a fresh approach to interpreting Evelyn's paintings through the floral symbolism imbued in the paint.