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William De Morgan’s works can be seen far and wide, from vibrant ceramics in other museums and galleries to tiles and fireplaces in private homes. The staff of the De Morgan Foundation recently took a trip to see some De Morgan tiles in situ in other London locations. 

We have a welcome new addition in the gallery that aims to bring you a plethora of new information about the hundreds of ceramics we have on display and in our art stores.

In the process of installing the exhibition

This September, the De Morgan Foundation will be welcoming the Teepee Glass whose works will be adorning our temporary exhibition space for two months. Teepee are a glass collective of eight artists who first met at the British Glass Biennale in 2006 and have been creating and exhibiting their distinctive glass pieces together since.

Today is St George’s Day, and we’re busy installing our next exhibition, Hidden Heritage: Mrs Stirling, Old Battersea House and the De Morgan Collection. One of the key exhibits in the exhibition is this rather wonderful decorated cabinet:

Our recent rehang of the gallery

From time to time, repeat visitors to the gallery will wander in, take a long look around and declare, ‘Something is different!’. Those with a keen eye will notice that every so often we move around the ceramics, rearranging them in the cases to give a fresh view, to highlight particular themes in the decoration, or to swap objects around so we can display different ceramics from our stores.

The headstone of Roddam Spencer Stanhope

On a bleak winter’s day in January 1917, William De Morgan’s funeral service was held at Chelsea Old Church. A marble plaque honouring the much loved ceramicist and novelist was later unveiled there by May Morris. However, De Morgan’s final resting place is in fact at Brookwood Cemetery, Woking.

On the weekend of the 22nd-23rd September 2012, the De Morgan Centre offered free entry as part of 2012’s Open House London weekend, a city-wide initiative that aims to grant the public access to buildings of architectural interest and get people exploring parts of London that they wouldn’t normally see.

John Roddam Spencer-Stanhope (1829-1908), uncle of Evelyn de Morgan, was a pre-Raphaelite and symbolist painter. He was one of the group of artists which worked on the Oxford Union murals, and went on to have a quietly distinguished career as a professional artist despite his professional being at odds with his class and status as the second son of son of a wealthy family of landed gentry.